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sand creatures of Tahar Ben Jelloun

"The father did not have luck: he was convinced that an ancient curse seriously weigh the life out of seven births had seven daughters" (...) "said that he was ashamed of the house on his face, that his body was possessed by a cursed seed and which should be regarded as a sterile husband or a bachelor. Do not remember having ever laid a hand on the face of one of his daughters. Did everything to drive them out of his life to forget them. "

The birth of the woman who lived as a curse, the male child as the sole heir of the family ... The book that inspired the song "Creature sand "of the Moroccan writer Tahar Ben Jelloun, which I read years ago but is still very present. From

curse the father wants to get out but how? The eighth child born while the female is still considered a man and his name shall be Ahmed. No one will be revealed the deception.

The book tells the dramatic and intense life of Ahmed forced to live as a man repressing his female identity, the extent to which it is aware and understands that "his life is committed to maintaining appearances. It is no longer a will of his father. It is becoming his own will ". It goes to his father saying, " Il mio stato, non soltanto lo accetto e lo vivo, ma mi piace. Mi permette di avere dei privilegi che non avrei potuto conoscere. Mi apre le porte, anche se poi mi chiude in una gabbia di vetro”.

Certo, la situazione descritta in questo testo è paradossale, ma quante volte viviamo tutti “nel mantenimento delle apparenze” illudendoci che questa sia una scelta consapevole e voluta. Forse siamo o ci sentiamo spesso anche noi creaure di sabbia.

A sua madre Ahmed rinfaccia: “…in questa famiglia le donne si avvolgono in un sudario di silenzio…, obbediscono; tu, tu taci, e io do gli ordini! (…) come sei riuscita a non insufflare any idea of \u200b\u200bviolence in your daughters? They are there, come and go, satin on the walls, waiting for a husband ... providential, that misery. "

Sometimes it is true mothers become accomplices of husbands, the company that defines their role, have not the strength of the rebellion. Sometimes we all assoggettai to an authority which imposes rules which, while not sharing them, we accept because we do not have the courage to oppose: how many people are afraid to go against social conventions, to break free to find their freedom ...
"I the chosen shade and the invisible. That's the question begins to emerge as a harsh light, living, unbearable. Tolerate ambiguity to the end, but I could never show his face in his nakedness in the light that comes close.

I knew that my sisters have left home. They left one after the other, my mother was locked in a room and discount according to his will a century of silence and seclusion. The house is huge. Very shabby, falling apart. So I'll take care of my mother and one extreme to another. You know where I am. I do not know where she is. Malika we need and helps us, each in his trial. The night is still in the night or day in the night? Something inside me shudders. It must be the soul. "

A complaint that is Tahar Ben Jelloun, a world that seems want to decide the destiny of the people who inhabit it: "Life does not succeed we invented . - says the author - We have entered a world already in progress and, even if you act, not act alone, and the events which we are involved in the plot are the result of the actions of many of the unintended outcomes of "random" events ".

takes us into millenniums of history with the habits and traditions. " Telling is basically a way to come to terms with everything, that is to transform the stories where we are involved, but without authorship, in an experience that we can be partly aware. "

" Being, simply be, is a challenge. I'm sick and tired " noted in his diary and concludes Ahmed " at the bottom look like yourself, is it not become different? ".

A book magic and poetry together, the pages that follow one another at joints between the writing and oral . A story concocted as an arabesque, without a real theme, sometimes difficult in the flow, but full of very beautiful poetry pages.